I remember hearing a version of someone (Stan Freberg?) singing “The Banana Boat Song” (Daaay-OOO). During the song a member of the beat generation keeps asking the singer to move away because he is too loud. By the end of the song the singer is outside the building doing the Day-O portion of the song. The beatnik then responds to the toned down volume: “Cool!” Another example of cool from a little later period is the “King of Cool,” Steve McQueen. He was a huge box-office success in the height of 1960s and 1970s counter-culture. In the 1980s Michael Jackson and Heavy Metal were cool. In the 1990s the nihilistic lyrics of Nirvana and sitcoms about nothing (“Seinfeld”) were cool. In this decade cool has its own incarnations: the green movement, Brad Pitt, Beyoncé, and comic book themed movies are cool.
However, if we examine this concept, we find that it is very transitory. Hardly any teenager today knows what a beatnik is or who Steve McQueen was for the matter. While Steve McQueen was cool, so were menthol cigarettes. Neither one is considered especially cool today. Men in tight spandex pants screaming loud lyrics to a heavy beat are not considered cool anymore. To today’s youth Nirvana is practically Oldies. In another couple of decades the same will be said of Beyoncé. Considering the elusiveness of our ever-shifting American pop culture, it is ironic that Christianity is still chasing cool. Not only is American Christianity chasing what is ever-changing; it is often at least half a decade behind. The evidence of this chasing of cool is the modern church growth dogmas. The modern dogmas for church growth have hitched the wagons (a very uncool metaphor) to pop culture and its ethos of cool. The problem is that we have traded eternal, foundational truth for what is cool. We have traded a 2,000 year history in Christianity for what is cool. Not only that, but those who want to hang on to what is timeless are blamed for the decline of Christianity in America.
The problem of chasing a changing culture is no more apparent than in our worship. Don’t misunderstand me, I don’t mean only our music when I say worship. I know the common reference to a music leader in a church is a “worship leader,” but that is a misunderstanding of worship. Biblical worship included music (Col 3:16), biblical preaching and teaching (1 Tim 4:2), Scripture reading (Rev 1:3), Prayer (Acts 2:42), and the ordinances (Acts 2:41–2). All of those things are worship. The Modern American twist on Christianity has taken all of those things and changed them to make them cool. The changes in music (and even greater the disgust with timeless hymns) are directly linked to the attempt to be relevant in an ever-changing culture. The changes in preaching style and content are a repudiation of the timelessness of the Word of God. Likewise, the disregard for Scripture reading, serious times of prayer, and solemn practices of the ordinances are all evidences of buying the ever changing and untrustworthy shares of pop culture stock, and repudiating the eternal and unchanging. There are all kinds of causes (both intellectual and populist), but they all end in the same shifting sand of uncertainty: pop culture. I understand the gospel will be expressed enculturated in various ways in various cultures, but in the past this has not rejected the timeless elements of Christianty. The new attempts at reaching the culture not only embrace the culture wholesale, but unavoidably reject the timeless, either knowingly or unwittingly.
If godly change is to come in the life of an individual or in the life of a church, it will come only through the timeless, eternal truth of the Bible.
